The name of the exhibition Ultramarin Depot refers to the installation, an important part of which is deep blue velvet – a textile material that creates a striking contrast to the hardness and austerity of steel. This soft, visually absorbing element acts as a background and frame, but at the same time transforms the gallery space into a contemplative depot, a place of storage not only of objects, but also of focused attention.

The reliefs bear the hallmarks of industrial precision and handmade authenticity. Steel as a medium carries within itself coldness, strength and heaviness, which the author balances with a layer of colour – polychromy, which brings tension between structure and image to the surface. The result is a bodily, haptic painting that transcends the boundaries of two-dimensionality. His approach consists of a material exploration of pictorial forms through plastic, spatial methods - relief here becomes a medium in which traditional painting is transformed into physical matter.

In the author’s approach, space always plays a key role – it is not just a neutral context, but actively enters the semantic structure of the work. The transformation of the architecture of the exhibition environment thus becomes part of a whole, in which material, colour and space together create a complex visual and haptic experience.

Pavel Dušek (*1992) moves in his work on the border between painting, object and installation.

His works are based on intense physical contact with the material, layering, disruption and recomposition of forms. Dušek is a painter who is formally and content-wise fascinated by materials - cement, concrete, metal and acrystal.

Dušek explores the relationship between the inner space of a person and the outer world - between construction and decay, between intuitive gesture and rational composition. He is characterized by distinctive structures, the rawness of the material and the play with remnants, traces and fragments. He also likes to place his work in public spaces and urban landscapes. He has installed his paintings on buildings, for example, in Athens, Paris, London, Venice and Barcelona.

From 2012 to 2018 he studied at the Academy of Fine Arts in Prague in the Painting Studio III of Michael Rittstein. In 2016, he completed an internship at ISI Yogyakarta in Indonesia, which contributed to his international artistic outlook. His works have been presented in solo and group exhibitions in the Czech Republic and abroad. And in 2021 he received the Critics' Award for Young Painting. 

The exhibition will run until September 10, 2025. Reservations: praguehouse@praha.eu

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Exhibition Opening: Pavel Dušek - Ultramarin Depot

###### During his lecture, Prof. Vladimír Šlapeta presented the development of Czech architecture from 1900 to the present day, which reflects the dramatic history of the last century. He emphasized the contribution of the new architecture of the cities of Prague, Brno and Baťa Zlín to the international discourse in the first half of the century, as well as the exciting stimuli created by international contacts with the centers of avant-garde movements in France, Germany, Scandinavia and Italy. He also recalled the contacts with Belgium, in which Henri van der Velde and Victor Bourgeois played a significant role, and the realization of Czechoslovak pavilions at the exhibitions in Liège 1931, Brussels 1935 and Expo Brussels 1958. In the end, the construction of the socialist era and the rapid return to Europe after the Velvet Revolution led by President Václav Havel were not omitted.

-------------------------------------------------
Vladimír Šlapeta
Professor at Brno University of Technology and Prague Technical University, born and raised in Olomouc, studied architecture at Prague Technical University. After a short internship in Ostrava, he worked from 1973 to 1991 as head of the architecture department at the National Technical University of Prague. After the Velvet Revolution, he became dean of the Faculty of Architecture at Prague Technical University (1991–97 and 2003–06) and then of the Faculty of Architecture at Brno Technical University (2006–10) and was a visiting professor at Tallinn University of Technology, Münster University, the University of Ljubljana, the University of Groningen in Porto Alegre and the University of Kraków.

He completed longer study stays in Germany, the Netherlands, Canada, the USA, Finland, Slovenia and Poland. He is a member of the Akademie der Künste in Berlin, the UIA-UNESCO Commission for Architectural Education in Paris, ICOMOS and an honorary member of the Royal Society of British Architects RIBA, the American Institute of Architects AIA and the Association of German Architects BDA. He is the author or co-author of dozens of exhibitions and publications on Czech and Central European architecture.

He is the recipient of the Silver Medal of the Senate of the Czech Republic, the Brno City Award, the Bucharest Architecture Triennial Award, the Berlin Kunstpreis, the Bene merentibus Medal in Warsaw, the Grand Prix of the Community of Architecture for lifetime achievement and in 2023 he was awarded the prestigious Jean Tschumi Prize of the International Union of Architects.


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Lecture: CZECH MODERN ARCHITECTURE in the European Context

Clarinet Quintets

MISAKO AKAMA - violin
NADJA NEVOLOVITSCH - violin
MIHAI COCEA - viola
DMITRY SILVIAN - cello
DANIEL MOUREK - clarinet

programme
Carl Maria von Weber - Quintet for clarinet and strings op. 34
I. Allegro
II. Fantasia. Adagio
III. Menuetto
IV. Rondo. Allegro

Johannes Brahms - Quintet for clarinet and strings op. 115
I. Allegro
II. Adagio
III. Andantino
IV. Con moto



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PH Concert Series: Clarinet Quintets

From studying geodesy at the Czech Technical University to leading diplomatic missions across the globe, Mr. Bärtl shared his unique path to diplomacy, as well as behind-the-scenes stories from his current post of representing the Czech Republic in COREPER.

The discussion touched on the EU’s relations with the USA, support for Ukraine, and challenges like competitiveness and the new EU budget — all with an open Q&A and an informal atmosphere.

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Debate with Ambassador Vladimír Bärtl

The debate addressed the impact of the "America First" era on transatlantic relations and global trade, the EU's challenges, including geopolitical shifts and the green/digital transition, and the question of its future competitiveness amidst rising protectionism. 
The debate explored also Central Europe's potential contribution to these dynamics.
 
Speakers:
 
H. E. Agnieszka Bartol, Permanent Representative of Poland to the EU 
H. E. Vladimír Bärtl, Permanent Representative of the Czech Republic to the EU
Markus Beyrer, Director General, BussinessEurope 
Dita Charanzová, Former Vice President of the European Parliament
 
moderator: 
Ivan Hodáč, Founder and President of the Aspen Institute CE.



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Debate: New Transatlantic Relations - Trade and Competitiveness

Debate: New Transatlantic Relations 

The author, Viktor Daněk, who met Jourová as a Brussels correspondent for Czech Radio, deals with the life of Věra Jourová from her childhood through her work in domestic and European politics to the present. The title refers to the film Larks on a Thread. The gods in the book's title represent the owners of large social networks, while the milkmen are ordinary people.

The book contains Jourová's answers to questions about politics and her private struggle with injustice. "It's a chance to indulge in such a confession in other words, because when you are in high politics, you have to value your words very much," says Jourová about the reason why she decided to publish the book.

A sincere and open confession of a strong and courageous woman about her journey from the very bottom to the highest peak. When she was led away in handcuffs and ended up behind bars, no one would have bet that in a few years she would sit in the government and then become one of the most powerful women in Europe. Time magazine ranked her among the 100 most influential people in the world. No Czech has ever managed to do that.

Věra Jourová tells the story of incredible life twists and turns. How did she manage to overcome the moments when she was at her worst and thought she could go no further? Why did she get together with Andrej Babiš and how did their paths diverge again? How does it work in Brussels and what is it like to live alone there? In the book, she unravels the behind-the-scenes of high politics and the intricacies of the European Union, describes her meetings with the most famous people in the world. She also showed fearlessness and strength when she was not afraid to stand up to the world's most powerful businessman, Elon Musk, and warned of the dangers that social networks and technological corporations pose to humanity.

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Věra Jourová and Viktor Daněk - Book presentation

MOW QUARTET
Silvia Bažantová - violin
Ekaterina Philippovich - violin
Cristina Flueras - viola
Elisabeth Sturtewagen - violoncello
Prague House,

The Mow Quartet isn’t your typical string quartet. Trained in Belgium’s Royal conservatories, this all-female ensemble has the technical mastery to perform the great works of the classical repertoire — but it’s in their bold, genre-blending creativity that they truly stand out. Their originality shines through in how they compose and reinterpret pop and folk songs, crafting
finely detailed arrangements that carry their unmistakable signature.

Singing is central to their artistic identity. With four voices and four string instruments, they create a rich and unique sonic world that moves effortlessly between chamber music, folk, instrumental rock, and urban influences. Their repertoire includes original compositions, daring reinterpretations of familiar pieces, and lyrics that are both poetic and socially conscious.
What sets them apart? A deep musical connection on stage, a genuine rapport with the audience, improvisation and a fearless desire to break down boundaries between styles. The Mow Quartet is a rich, sensitive, and thoroughly contemporary project — Brussels-born, and best experienced live.

programme
1/ Ekla - Original composition
2/ The House of the rising Sun - Traditional / Mow arr.
3/ Testimony - Charlton Singleton
4/ Joia - Silvia Bazantova
5/ Irish Jig - Irish Traditional
6/ Het waren twee koningskinderen - Middle age Flemish song / MOW arr.
7/ Sonderho Bridal Trilogy - Danish folk song by DSQ
8/ Ribbers 5 - Danish folk song by DSQ
9/ Polska from Dorothea - Danish folk song by DSQ
10/ Nane Cocha - Old Roma song - MOW Arrangement
11/ Sulkhan Tsintsadze Miniatures - Indi Mindi, Shepherd’s Dance, Gandagan
12/ Skylife - David Balakrishnan
13/ All the World is Green - Tom Waits / MOW arr.
14/ Nuevo Aire - Silvia Bazantova / MOW arr.
15/ Papa Ruda - Romanian folk song / MOW arr.

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PH Concert Series: MOW Quartet

Mow Quartet

In the field of WASH (Water, Sanitation, and Hygiene) in Ukraine, the need to restore access remains critical, and the gap between available and required funding continues to widen. According to RDNA4, approximately US$ 0.7 billion in damages occurred between December 2023 and December 2024, bringing the total to US$ 6.4 billion since February 2022. This underscores the urgent need for increased attention and stronger support to the WASH sector, as well as the importance of upholding the fundamental human right to safe water and the provision of relevant critical services. These needs in water, sanitation, and district heating are caused by the constant damage inflicted on critical infrastructure by widespread Russian attacks and active combat operations in the east and south, as well as ongoing infrastructure degradation; combined with the limited capacities of local authorities and actors to rehabilitate WASH stations and infrastructure. An estimated 8.5 million people are in urgent need of WASH assistance, particularly access to safe water and relevant services.

The widespread damage to Ukraine's energy infrastructure in the first half of 2024 resulted in the loss of 30-49% of the country’s total energy generation capacity. This includes Combined Heat and Power (CHP) stations, which caused significant losses in both electricity and district
heating for affected communities. These heating and electricity shortages disrupted the functionality of vital social institutions, such as hospitals, schools, IDP collective/transitional centers, elderly care facilities, as well as public infrastructure like water and sewage stations, interfering with access to public services. Additionally, the impact severely affected the residential conditions of the affected populations, potentially leading to further displacement, as it is impossible for households to survive without both services during harsh winter conditions.

This event focused on two interrelated topics regarding WASH services:
- Renewable energy as a backup and sustainable solution for ensuring the continuity of life-saving WASH services in emergency settings.
- District heating as an essential WASH service at both the communal and institutional levels.

Through this Round Table which was conducted around the 4th European Humanitarian Forum (Brussels, 19-20 May 2025) People in Need (PIN) aimed at following up on the events dedicated to ensuring proper and sustainable WASH services in Ukraine in the context of the armed conflict, conducted in Kyiv on 29 January 2024 and in Brussels on 17 April 2024 under the Project ACCESS funded by the European Union; to facilitate the identification and prioritisation of the needs and challenges in ensuring access to sustainable WASH services in Ukraine; to discuss and commit to concrete steps in overcoming these challenges; in addition to promote collective advocacy for more consorted and focused efforts aimed at ensuring the fundamental right to safe water in the war-affected people in Ukraine.

Organizers:
People in Need (PIN)
WASH Cluster in Ukraine


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Roundtable: Renewable Energy and District Heating

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Exhibition: Pavel Dušek - Ultramarin Depot

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We would like to introduce the Prague House, the residence of the City of Prague’s Representation to the EU. This place is an integral part of Prague’s City hall, and all its activities are targeted towards promoting the interest of the City.

Welcome to the Prague House!

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